widok wystawy, fot. Bartosz Stawiarski (8.27MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (9.86MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (9.51MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (8.88MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (8.24MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (7.78MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (7.93MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (9.38MB, JPG) (DOWNLOAD)
widok wystawy, fot. Bartosz Stawiarski (6.89MB, JPG) (DOWNLOAD)
Goshka Macuga, "Women’s Strike", 2018. Courtesy of the artist. (5.61MB, PNG) (DOWNLOAD)
Camille Henrot, "L'Hydre Aristocratique" / "Aristocratic Hydra", 2018, gouache, paper. Courtesy of the artist. (2.81MB, JPG) (DOWNLOAD)
Nikita Kadan, "Priests and Serpents", 2018.
Ink, paper. Courtesy of the artist. (0.82MB, JPG) (DOWNLOAD)
Mikołaj Sobczak, "Underground", 2018, gouache, paper. Courtesy of the artist. (8.62MB, JPG) (DOWNLOAD)
Johann Georg Schmidt (1694-1767), "Fireworks Display and Illuminated Pavilion ".
Etching, Inw.zb.d. 11716 (22.67MB, JPG) (DOWNLOAD)
Vincenzo Brenna (1741–1820), Design for the Church in Ujazdów near Warsaw (main Façade), 1781.
Drawing: brush, ink, watercolour, Inw.zb.d. 9029 (18.36MB, JPG) (DOWNLOAD)
Giovanni Battista Piranesi (1720–1778), "The Drawbridge" ("Carcere VII") from the series "Imaginary Prisons" ("Invenzioni Caprici di Carceri"). Second edition, 1761.
Etching, Inw.zb.d. 10671 (22.6MB, JPG) (DOWNLOAD)
Elisej Emel'ânovič Fedoseev (1745–after 1775) after Matvej Fedorovič Kazakov (1738–1812) and T.T. Martynov (active in the 2nd half of the 18th century), "Fireworks Display in the Field of Khodynka in Moscow on the Occasion of Peace Treaty between Russia and Turkey", 1775.
Etching, Inw.zb.d. 11743 (30.65MB, JPG) (DOWNLOAD)
Jacques Callot (1592–1635), "The Hanging" from the series of etchings "The Great Miseries of War" ("Les grandes misères de la guerre"), 1633.
Etching, Inw.zb.d. 5162 (8.17MB, JPG) (DOWNLOAD)
Matthaeus Deisch (1724–1789) after Friedrich Anton August Lohrmann (c. 1735–c. 1800)
"Chair Merchant" from the series of etchings "Danzig Criers" ("Die Danziger Ausrufer"), 1762–1765.
Etchings, watercolour, gouache, Inw.Dz. 34/28
(14.98MB, JPG) (DOWNLOAD)
Christopher Norton (active 1760–1799) after Franciszek Smuglewicz (1745–1807), "Interior Views of Etruscan Tombs in Tarquinia", 1765–1767.
Etching, Inw.zb.d. 20490 (26.89MB, JPG) (DOWNLOAD)
Ferdynand Pinck (1761–1797), "Grieving Emma Hamilton", 1795 - copy drawn from the series of etchings "Drawings faithfully copied from nature at Naples…", depicting Lady Emma Hamilton in classical poses.
Prints by Tommaso Pirolia (1752–1824) after Friedrich Rehberg’s drawings (1758–1835). 1795
Drawings: pen, ink, Inw.zb.d. 10321 (17.17MB, JPG) (DOWNLOAD)
Unknown etcher, "Women’s March on Versailles," 1789.
Etching, watercolour, Inw.zb.d. 9744 (13.34MB, JPG) (DOWNLOAD)
Unknown etcher, "Announcement for Violators of Public Order", 1789.
Etching, watercolour, whites, Inw.zb.d. 5940 (11.68MB, JPG) (DOWNLOAD)
William Hogarth (1697-1764), "Tailpiece" or "The Bathos", 1764. In the volume composed of 51 prints made by William Hogarth.
Etching, engraving, Inw.zb.d. 20559 (Vol. 396) (13.82MB, JPG) (DOWNLOAD)